EXHIBITS

November

Raven Skyriver: CONFLUENCE

We are proud to present a new solo exhibition by Washington-based glassblower Raven Skyriver (Tlingit), which will include collaborations with his partner Kelly O’Dell (Non-Indigenous). Raven is creating works that will explore the ecosystems and wildlife of places of confluence, where salt water meets fresh and streams of life converge. Confluence also refers to the idea of the coming together of crux points: the tipping points between losing species and saving them; the time ebbing away to head off or reverse climate change; the simultaneity of learning more about our planet and its wildlife at the same time it is becoming less habitable for them. Raven is deeply concerned with the state of our environment and the significant challenges faced by marine life of the Salish Sea and wider Pacific Ocean. He is a board-member of SR3, a sea mammal rescue, rehabilitation and education non-profit.

Ongoing

SeaTac Airport Rotating Exhibition

Stonington Gallery is bringing the finest contemporary Northwest Coast art to visitors from around the world at SeaTac airport! This ongoing exhibition in partnership with the Port of Seattle is a rotating spotlight on the diverse art styles, media and viewpoints of contemporary artists of the Coast. We are honored to share works with locals and visitors by regional luminaries including Preston Singletary (Tlingit), Dan Friday (Lummi), Raven Skyriver (Tlingit), Robert Davidson (Haida), Thomas Stream (Sun’aq Aleut), Lillian Pitt (Wasco/Warm Springs/Yakama), Shaun Peterson-Qwalsius (Puyallup) and more.

All works in the exhibition are for sale through Stonington Gallery. Please call 206.405.4040 or email art@stoningtongallery.com with inquiries.

The exhibit is located at the Gina Marie Lindsay Arrivals Hall at the South end of the Main Terminal, on the baggage claim level. In layman’s terms, it is the large atrium with the suspended airplanes in the waiting area of the Arrivals section.

February

TWO RAVENS: Alison Marks & Crystal Worl

We kick off the year with an exhibition by two ambitious young Alaska-based mixed media artists, Alison Marks (Tlingit) and Crystal Worl (Tlingit/Athabascan). “Two Ravens” will present new works by both artists, including at least one collaborative work.

Traditional Tlingit society is built on two matrilineal moieties, otherwise known as clans, and all modern Tlingit people are either part of the Eagle or Raven moiety. In the past, people were required to search for a suitable marriage partner of the opposite moiety. Both Marks and Worl are of the Raven moiety, forming the title for their show. But Raven is more than just their clan marker: Raven is one of the most important mythic characters on the Northwest Coast, featuring in hundreds of myths as a catalyst for change, a trickster stirring up mischief, and a transformative being who takes on many guises. It is in the spirit of transformation, experimentation, and boundary-pushing that Marks and Worl present “Two Ravens”. Much like Raven, these two ambitious artists are always up to something!

Special Event

Treading the Path, Becoming the Elder - Saał-Kaa Fred Fulmer

Sunday, NOVEMBER 11, 1-4PM

1-3pm: Carving demonstration

3pm-4pm: Artist talk 

Free to attend

We are proud to present a talk and carving demonstration with emerging culture-bearer and artist Saał-Kaa Fred Fulmer (Tlingit) on Sunday, Nov 11. Fred has recently returned from an extended stay in Juneau and Hoonah, Alaska, where he took part in cultural events and projects. He is eager to share his insights from these experiences, and to show visitors his carving techniques. Please join us for his talk at 3pm!

Dan Friday: Solo Exhibition

September

We open our Season of Northwest Native Art Glass with a solo exhibit by Seattle-based glass artist Dan Friday (Lummi Nation). Dan returns to the gallery with blown and hotsculpted works in glass, focusing particularly on the proud tradition of reefnet fishing amongst the Lummi nation. Reefnet fishing an indigenous fishing practice that is one of the most sustainable and humane in the world, but that was almost completely wiped out in the twentieth century.

Reefnetting was spread amongst the tribes around the Salish Sea but was invented by the Lummi. Reefnet fishing was traditionally done by suspending a a sxwole (woven reef net) between two canoes.

In honor of the reclamation of these practices, Dan Friday renders some of the most important tools in reef netting out of glass for his new exhibition. They join other works honoring his Lummi heritage, including woven cedar baskets made from a complex glass mosaic technique; model totem poles in hot-sculpted glass, and others.

ARTIST LECTURE: Tuesday, Sept 18th, 6:30 pm at Stonington Gallery.

A Season of Northwest Native Art Glass: Special Event

Panel Discussion: Preston Singletary, Raven Skyriver, Dan Friday

Northwest Native Art Glass Panel Talk with Preston Singletary, Raven Skyriver and Dan Friday: Wednesday October 17th, 6-9pm.

Tickets are $15. Purchase online at: https://stoningtongallerynorthwestnativeglass.brownpapertickets.com/
6-6:30pm Pre-panel refreshments at Stonington Gallery.
6:45-8:15 Panel talk and questions at The 101, just four doors down the block.
8:15-9pm Post-panel tour through the Preston Singletary exhibit at Stonington Gallery.

An Online Exhibition

Spotlight On: Eye-Popping Design

Coast Salish design and Northern-style formline lend themselves fantastically to bold designs. In Northwest Coast art, each shape has a traditional role to play. Lines and shapes lock together, bounding fields of color into negative and positive spaces, resulting in complex, detailed images. For some artists, formline design is a toolkit to create detailed images featuring animals, humans, spirit faces and crest imagery. Others go beyond the figurative, stretching these shapes to become semi-abstract or fully abstract compositions that evoke motion, energy, pattern and movement.

Spotlight On: Frogs

An Online Exhibition

We’re welcoming summer with a celebration of our amphibian friends, frogs! The state of Washington has ten indigenous species of frog, including the bullfrog, Pacific chorus frog, Northern leopard frog, cascades frog, and Oregon spotted frog. (I guess you could say we’re hopping.)

Amongst the indigenous peoples of the Northwest, the Frog was often a symbol of prosperity and wealth, and its penchant for singing or chirping leads to many myths about why it’s sounding off. Frog was said to have warned humans of impending danger, and indeed, we know that frogs are indicator species of an ecosystem’s overall health.

Spotlight On: The Giant Pacific Octopus

Online Exhibition

The octopus also has a rich history of being rendered as a character and spirit helper among the indigenous cultures of the Pacific Northwest. In this online-only exhibit we’re highlighting some of the creative ways in which our contemporary artists honor this intelligent, fascinating creature.

“The Octopus is a remarkable, unique, eight armed sea creature. The final spirit helper –  its transformative nature is represented by its natural ability to incorporate its body into its surroundings and its means of capturing and devouring its prey. It has the ability to change colour, shape and even texture, as well as to eject dark ink in self-defense. It constructs its dwelling place by moving rocks and pebbles, it examines its environment, collects food and defends itself by raising its arms and seems to use its large eyes for intelligent observation. The natural behavior suggests both supernatural and human connections. Octopus is common in shamanic art, undoubtedly because of its amazing transformational abilities.”

-Excerpt from Understanding Northwest Coast Native Art by Cheryl Shearar

Masters of Vancouver Island and Beyond: The Todd Collection

March-April

In March and April we are honored to present works from the Todd Collection, a spectacular array of works collected throughout the 1990s and 2000s. The collection has a special focus on masks by Vancouver Island artists in Kwakwaka’wakw, Kwagiulth and Nuu-chah-nulth traditions. This exhibition brings together masks, bowls, chests, panels and objects from some of the Northwest Coast’s most revered artists, and represents a dazzling survey of some of the most important carvers working on and around Vancouver Island from the mid-to-late 20th century.

The collection includes works by Art Thompson (Nuu-chah-nulth), Susan Point (Musqueam), Jay Brabant (Cree), Duane Pasco (Non-Indigenous) Calvin Hunt (Kwakwaka’wakw), Beau Dick (Kwakwaka’wakw) and John Livingston (Non-Indigenous/Adopted Kwakwaka’wakw), Mervyn Child (Kwakwaka’wakw/Tlingit/Nuu-chah-nulth), Simon Dick (Kwakwaka’wakw), George Hunt Jr. (Kwakwaka’wakw), Scott Jensen (Non-Indigenous/Adopted Tlingit), Don Yeomans (Haida) and numerous others.

February – Group

Unexpected Alaska

Adding company and context to Drew Michael’s February exhibition is “Unexpected Alaska”, a group of contemporary Alaska Native artists who are pushing the boundaries of traditional art-forms. Many are incorporating non-traditional media to realize their art–such as the glass work of Preston Singletary (Tlingit) or Larry Ahvakana (Inupiaq), or the milagros found on Kathleen Carlo’s (Koyukon Athabascan) masks. Others–such as Lena Amason-Berns (Alutiiq) or Thomas Stream (Sun’aq Aleut)–forge new styles that are a meld of designs used for thousands of years with a personal vision. Many of these artists are friends or mentors to Drew Michael, making them welcome companions to his solo exhibition, and widening the horizon on artists who are creating new frontiers for Alaska Native art.

Holiday Season

Gifts for the Northwest Coast Art Lover

The holiday season is upon us, and we know you are looking for the perfect artful gift. Whether it’s a piece of fine jewelry, a print to brighten a wall, or a luminous sculpture in wood, bronze or glass, we have an elegant solution. Even better: buying from our gallery supports regional artists and a small local business! Everything we show at Stonington Gallery is hand-made by regional artists: no mass production, no factories, no automation–just works made by artists at the top of their field.

Enjoy this curated selection of works that will make this holiday extra special. Please call or email the gallery to purchase works. We will endeavor to keep the listings current, but we do apologize if work sells and is not immediately updated.

Enjoy this curated selection of works that will make this holiday extra special. Please call or email the gallery to purchase works.

Joan Tenenbaum: LANDSCAPE AS AMULET

December

We welcome fine art jeweler Joan Tenenbaum back to the gallery to show the work in silver, gold and precious stones that she has been creating all year. As always, Tenenbaum is deeply inspired by the landscape, ecology, and animal life of the Pacific Northwest and Alaska, and draws the colors and textures of the region into her exquisitely-crafted jewelry. Join us to discover what she has in store for this December exhibition!

“It is in our quiet moments that we draw sustenance from those places of nature we have touched. Whether it’s a wild creature or a wild place, just knowing it’s there gives us a sense of peace. As we reflect on our evocative encounters with the natural world we instinctively move to physically touch a symbol of those connections.”
-Joan Tenenbaum, 2017.

REFLECTIONS: The Collaborative Works of Scott Jensen & Courtney Lipson

November

Opening Reception: First Thursday, November 2nd, 5-8pm
View the full exhibit online starting at 10am Thursday, November 2nd.
Exhibition will be installed Oct 29-Nov 2nd.

In November we are proud to present a collaborative show between husband and wife Scott Jensen and Courtney Lipson (Non Indigenous/Adopted Tlingit). Those who have followed the gallery over the last few years cannot have missed their wondrous collaborative micro-mosaic masks, a form they have pioneered. The two have taken all of 2017 to create the body of work for this exhibition, and we are amazed at their skill, technique, creativity and fortitude. This exhibition will include sculpture with micro-mosaic inlay, weaving, and jewelry. A print exhibition catalog will be available beginning on opening night.

Born of Myth and Fire II: Celebrating Northwest Coast Art in Glass

October - Group Exhibit

The Northwest’s hot love affair with glass has been smoldering for 40 years, and only grows in intensity as new artists are drawn to the flame. Glass is a transformative material: it must be heated and gathered, blown and shaped, cooled and refined. Smooth and clear, rough and opaque, delicate or dense, it changes its form many times as it finds its ideal shape. The legends of the Native peoples of the Northwest are similar: they change their properties as they are retold and re-imagined, and we turn them over and over to reveal new facets and truths. What better modern material to use, then, to render the characters and cultures of the Coast than glass? Join us as we honor the artists using the medium of glass to celebrate their indigenous heritage, including Preston Singletary, Raven Skyriver, Dan Friday, Allie High, Lillian Pitt, Susan Point, Marvin Oliver and Alano Edzerza.

Raven Skyriver: SURGE

September

Young glass maestro Raven Skyriver (Tlingit) returns for an exhibition of sea-life from oceans and river systems that are threatened by pollution, ocean acidification, and over-fishing. Skyriver was born in the San Juan Islands in Northwest Washington, raised with a constant connection to nature. In his life he has seen that the Puget Sound and wider Salish Sea are the foundation of life in this region. The health of the rivers is the health of our Sound; its health is the health of our watershed. All water systems are connected, and if one is threatened and compromised, so are they all.

This exhibition is also a family affair: it will include a collaborative work by Raven and fellow glassblower–and wife–Kelly O’Dell, and the photography of his sister, Summer Moon Scriver (Tlingit). During the exhibition opening we are proud to host a pre-release book signing by Raven’s mother, Irene Skyriver (Tlingit), who has written a book on her family history and her wild solo kayak journey from Alaska to Washington.

Hib Sabin: The Long Game

August

Hib Sabin (Non-Indigenous) returns with a body of work that considers ideas about age in a world where youth is lauded, applauded, and sought after with almost religious fervor. Now in his 80s, Sabin turns his critical eye and dexterous carving hand upon himself, with work that reflects upon the process of aging, the need for nostalgia and review of the past, and the fearlessness of the future. What are the opportunities that close to us when we make decisions, and what happens when the “Road Not Taken” is passed by? Where are the crux points in our lives, and are they the ones we think they are when faced with them? What is the job of an artist in his older years, and how does he both reflect the world and his own truths? The works in this exhibition discuss these themes using the characters Sabin has become famous for: Owl, Raven, Raptor, Human, Bear, and more.

For the first time we will be offering Sabin’s concept sketches for sale alongside the finished sculptural works. And a physical and digital catalog will be available for this landmark show.

Salish Sound Waves: A Group Exhibit of Cutting-Edge Indigenous Visual Artists

May 2017

Stonington Gallery will be in the epicenter of the inaugural Upstream Music Festival this May, taking place in Pioneer Square May 11-13. In the spirit of the festival, we present artists who use motion, energy, vibrant color and an edgy design sensibility in their work to convey the cultures, environment and contemporary spirit of the Northwest.

Barry Herem: Wood. Glass. Paper. Steel.

April

Opening Reception: First Thursday April 6th, 6-8pm. This exhibit runs from April 6th-30th.

In April we present a solo exhibition for Pacific Northwest Coast designer and artist Barry Herem (Non-Indigenous) of corten steel sculptures inspired by the environment, mythology and animal life of the region. Also in this show are rare serigraphs from the artist’s decades of print-making, including works from the 1970s, 80s, 90s and forward. Many clients have requested these works in the past, and we are pleased to be able to present the final editions from the series, straight from the artist’s personal archive.

Drew Michael

Solo Exhibition

Stonington Gallery presents an exhibition of emerging star Drew Michael (Inupiaq/Yup’ik). He continues to evolve his deeply personal mask-forms based on his own life and on the culture and mythologies of the Yup’ik and Inupiaq peoples. Two major themes run through the 2017 exhibition: works that look inward, and works that look outward. The inward pieces were largely created in 2016, and deal with the artist’s continuing exploration of his emotional states, self-portraiture, his relationships, and with healing and growing.

Dealers’ Choice

A Staff Picks Exhibition

The Stonington staff has selected works from the gallery’s collection to exhibit during the month of March, drawing focus to works that resonate on a personal and aesthetic level. We are privileged to work among these objects on a daily basis, and it is our great pleasure to present the works that delight, challenge, surprise and engage us day after day. Whether it is a monumental work that needs greater attention to its intricacies, or a piece that is small enough to be passed by, we shed light on art that captures us.

The works will be displayed with accompanying commentary by a Stonington staff member, illuminating our perception of the piece and why it provokes such a distinct reaction in us.

Isabel Rorick & Robin Rorick: Roots That Connect Us All – A Mother & Son Collaboration

“We are all a part of a giant complex weaving of life that requires respect and love to further interconnection. The trees are nourished by earth’s elements and by the life cycle of the plants, insects, fish and all the other animals. In return the trees provide gifts of life for all those who are living. It is the same for the roots that connect us to our ancestors.

Weaving, painting and carving are a part of this sacred cycle and the energies that we portray are stories that come through us when we allow it and when we take the time to listen and feel. This is the way of our ancestors.”

-Isabel & Robin Rorick

Susan Pavel: 20 Years of Weaving

Opening Reception: First Thursday, October 6 6-8pm

In October we present an exhibition of new Coast Salish-style weavings by one of the contemporary masters of the art, Dr. Susan Pavel (sa’hLamitSa). Coast Salish weaving is a specific genre and technique unto itself. The art was retained by a few master weavers, including the latesubiyay Bruce Miller, a Skokomish spiritual leader, who chose Pavel as an apprentice in the mid-1990s. Pavel, who is not Native, was chosen to carry on the technique by Miller, and has herself now taught over 500 students.

Pavel says, “We started as just two. Now, there are hundreds. My students have taught other students. Now I know that this will not die with me when I go. The journey has been and continues to be remarkable. The essence of weaving is fulfilled because … I am obedient to the call.”

In summer 2016 she will have a major retrospective exhibition at the Suquamish Museum of her weavings–both new and from her archive. The new works will be available in her exhibition at Stonington Gallery in October.

Dan Friday & Thomas Stream: Spectrum

Opening Reception: First Thursday, September 1st 6-8pm

In September we present works by painter Thomas Stream (Sun’aq Aleut) and glassblower Dan Friday (Lummi), both contemporary artists who utilize bold, brilliant color to show their respect and love for their heritage and the environment around them.

We are proud to present a new exhibition by contemporary Aleut painter Thomas Stream, whom we have had the pleasure of representing for decades. Stream is renowned for his dazzlingly detailed gouache paintings of wildlife that combine pointillism, Audubon, and traditional Aleutian spiral-and-dot patterns. Inspired by the traditional hunting visors of his Aleutian ancestors, Stream uses those bright colors and swirling patterns on the ancient hats to render the wildlife of the Northwest and beyond.

Hib Sabin: Solo Exhibit

Opening Reception: First Thursday, July 7 6-8pm

We are proud to present a solo exhibition of new work by sculptor Hib Sabin (Non-Indigenous) in July, featured works in juniper, bronze and glass. Sabin continues his exploration of human nature by way of animal forms, embodying our best and worst qualities in cackling ravens, haughty owls, and dignified bears. Complex tableaus with multiple creatures interacting–such as “Ship of Fools”–show us the folly of letting the blind and proud navigate treacherous waters. Sabin also debuts new collaborative pieces made with glass-blower Peter Wright.

Courtney Lipson: Tidepools – Life on a Rocky Shore

Opening Reception: First Thursday, May 5th 6-8pm

May brings fresh, fine new jewelry by micro-mosaicist and metal-smith Courtney Lipson (Non-Indigenous/Adopted Tlingit). Tidepools, denizens of the shore, and the little jeweled creatures that live in those safe cracks in the rocks are the artist’s inspiration for this year’s exhibit, and she’s rendering nudibranchs, sea stars, octopuses, and urchins in her signature micro-mosaic. Long-time collectors will remember the past series that Lipson has done with tidepools and sea creatures, but she revisiting the theme with new eyes and a more abstracted feel. Nudibranchs are the focus of the collection, allowing us a glimpse into the unbelievable variety, colors and kinds that this species has to offer. Nudibranchs are soft-bodied molluscs, and they live at almost any depth of the water column, but the most eye-popping coloration occurs in warm, shallow reefs and tide-lines. Lipson’s creations are a mix of her own imagination, and those from reference photos. The wilder the colors, the more genuine it’s likely to be. Lipson has gone one step further, interviewing each little nudibranch as it takes form in her studio, and finding out their names and personalities.

Splendor in Spring

Opening Reception: First Thursday, April 7 6-8pm

In April we present works that have flown beneath the radar, and give them their due time in the spotlight. These include new blown glass by Preston Singletary (Tlingit), a body of collaborative work by friends George David (Nuu-chah-nulth) and Spencer McCarty (Makah) who have been working out Neah Bay way, an astonishing panel by the multi-talented Shawn Hunt (Heiltsuk), a jaw-droppping panel by Jay Haavik (Non-Indigenous), a silken cedar panel and a painting by Carl Stromquist (Interior Salish), a new hand-colored woodblock print version of Marika Swan’s “The Sacred Heart Waters” (Nuu-chah-nulth), Allie High’s glasswork (Aleut/Haida/Tsimshian), and more.

Drew Michael: Heart of Our Understanding

Opening Reception: First Thursday, March 3rd 6-8pm

Stonington Gallery is proud to present the debut exhibition by ambitious young Inupiaq/Yup’ik artist Drew Michael. A sculptor of great sensitivity, grace and elegance, Michael is inspired by the traditional forms of Inupiaq and Yup’ik masks, but morphs them into what has become his own deep iconography of characters and images.

The works in Heart of Our Understanding were produced during his 2015-2016 residency at the Institute of American Indian Arts in Santa Fe, and reflect the deep thinking and feeling that Michael underwent in his time there. In many ways, Michael is a nomadic spirit: he and his twin brother entered the foster care system in Alaska as infants, and were in and out of foster homes in their youth. Today, Michael works and travels between many studios and cities, finding inspiration and connection in a peripatetic lifestyle. This yearning for relationships, trust, and a sense of home radiates through his work: there is a serenity, a solid certainty in his hooded feminine figures.

Print Matters: Printmakers on the Northwest Coast

Opening Reception: First Thursday, February 4th 6-8pm

Lithographs, serigraphs, giclees, woodblocks, monoprints, and embossing; the print-makers of the Northwest Coast employ many terms and tricks to get the job done. Formline design is particularly conducive to printing, as the 3-D curves and excisions of sculpture are reduced to elegant, flowing lines and negative/positive space.

Print-making amongst indigenous artists in the Northwest took off in the 1960s, with early pioneers –such as Henry Speck, Tony Hunt, Roy Vickers, and Doug Cranmer–kicking off a trend that would blossom through the next decades. In 1971 in Seattle–directly across the street from where Stonington Gallery now stands–Joe David, Barry Herem and Duane Pasco stood around a press on the third floor of Dick White’s gallery, pulling their first serigraphs.

Alano Edzerza: MOVING FORWARD

Opening Reception: First Thursday, November 5 6-8pm

A wizard of many media, the young Tahltan artist Alano Edzerza returns to the gallery with an army of cutting edge formline inspired equally by his heritage and his metropolitan life. Edzerza is known for working across media, but always retaining his ineffable sense of cool. Glass, wood and metal, serigraphs and paintings, even fashion and jewelry: he can do it all.

This landmark exhibit will feature Edzerza’s prints, etched glass, wood sculpture, jewelry and giclees on canvas. This is the first solo exhibit for this young, forward-thinking artist at Stonington Gallery in many years, and we cannot wait to see what he has up his sleeve. Included in this email are works in progress at his studio, which have us salivating for more.

Preston Singletary: New Works in Glass, Bronze and Paper

Opening Reception: First Thursday, October 1 6-8pm

We are proud to present new works in glass, bronze and print by internationally acclaimed artist Preston Singletary (Tlingit). Primarily known for sculpture in glass, Singletary has begun to expand his forms of expression to richly patinated bronze, and to two-dimensional drawings on paper.

Singletary has long been inspired by the myth of Raven stealing the sun, moon and stars from the bentwood box where it was hidden by a chieftain. It is a legend he returns to in glass, prints, and bronzes, and from many angles. The most recent imagining of this myth is in the model pole “Raven and the Box of Daylight”, a new limited edition bronze. He also presents his Tlingit Glass Basket series, honoring the weaving traditions of the Tlingit and other northern nations.

Thomas Stream: The Landscape Beckons

We are proud to present a three person exhibit featuring paper artist Nikki McClure (Non-Indigenous), painter Thomas Stream (Sun’aq Aleut) and jeweler Joan Tenenbaum (Non-Indigenous). These three Washington artists are deeply inspired by the landscapes and wildlife of the Northwest, and each renders their vision of this place in exquisite detail and skill.

Stream (Sun’aq Aleut) has long been inspired by the tragic story of young Aleut women who were taken from their homes by armed Russian traders in the 1700s and were ultimately killed in cold blood on the trip back to Siberia. In this exhibit, he honors their memory in one of the most moving and beautiful series of paintings he has ever produced. Select works from Stream’s archive will also be included in the exhibit, as well as small new works.

Hib Sabin: States of Awareness

Hib Sabin makes a triumphant return to Stonington Gallery with a solo exhibit, States of Awareness. Featuring a handful of exquisite new carvings in juniper, the exhibit also debuts a new bronze and several beloved bronzes that have not been seen at the gallery for years.

Sabin uses bird forms to represent human souls or spirits. Whether asleep or aware, bound or free, traveling or stationary, they are each rendered with captivating detail and skill. As Sabin enters his 80th year, he proves his mastery of expression in wood, with delicate humanoid figures and expressive birds. Over the years, he has shifted from the abstract to a more realistic style, where every feather and talon is rendered with purpose and detail.

Masters of Disguise I – Group Mask Exhibition

Each year Stonington Gallery presents one or two large themed group exhibits that showcase the astonishing variety of styles, skills, and imaginations of artists living between Northern California all the way up to the northernmost tip of Alaska.

This year, we are proud to present an exhibit that focuses on the myriad ways in which we represent the human face, in Masters of Disguise: On Masks & Faces. Traditions of masking are found all up and down the Northwest Coast, from the subtle and realistic portrait masks of the Tlingit people, to the fantastic and famed transforming masks of the Kwakwaka’wakw. But masks are not all about tradition: we use the art of masking when we face the outside world, we show different faces to different people, and we find ourselves transforming throughout the course of our lives.

Join us as we explore the moods of masks in this exhibit of the very best contemporary artists on the Northwest Coast.

Barry Herem: Spotlight

One of the best things about Barry Herem’s work in corten steel is that it can be made again and again. That means that if you missed out on a piece the first time you saw it, you haven’t lost your opportunity! Corten steel works can be made in custom sizes and with many different colors and patinas. Come and see new works and some old favorites in March, as we turn the spotlight on Barry Herem (Non-Indigenous) and his elegant, vibrant sculptures.

Also available in this exhibit will be select prints from the artist’s long history of print-making, and select paper casts. These are works you may have never seen before, or missed the chance to collect the first time around!

Digital catalogue available for this exhibition.

Stonington At 35

An Invitational Exhibition

For over three decades Stonington Gallery has shown sculpture, photography, paintings and prints by artists who are inspired by the Northwest Coast: its Native traditions, its environment, and its translation into new materials. Stonington culminates its 35th year in Seattle with an invitational group exhibit that illustrates the broad range of traditional and cutting edge work made by our represented artists.

Stonington Gallery at 35 Years is a snapshot of who we are right now, after three decades, hundreds of exhibits, dozens of events, and thousands of art objects.

Scott Jensen: Facing the Coast

A Solo Exhibition

Scott Jensen (Non-Indigenous, Adopted Tlingit) returns to the gallery this fall with a new body of work in sumptuous alder and cedar. This exhibition will have a special focus on masks, a medium that allows for Jensen’s serene faces, smooth knife-finishing and subtle hand with pigments to shine through.

From Jensen’s artist statement:

“Living close to the land has always been the most important connection in maintaining the inspiration that keeps me focused and moving in the direction I am interested in pursuing. If one takes the time to sit quietly and observe the natural world, putting aside the artificial environment of the modern world, the mind opens to search places one would otherwise never go. To create the pieces I want, I need to try to go to a place and a time that does not exist any more, with the exception of the natural world and the culture as it exists today. I need to understand the animals and their habits that I am representing in my carving, and I need to stay in touch with the spirit of the land in the Pacific Northwest. With this set of masks I wish to illustrate the remarkable ability to capture realism within the abstract with this refined and expressive art form created by the Native people of the Northwest Coast.”

Printed and digital catalogues available for this exhibition.

Shaun Peterson — Qwalsius: A House, The Moon, and the Salish Sea

We welcome Qwalsius Shaun Peterson (Puyallup) this autumn and his body of work inspired by the lunar eclipses and “blood moons” of the past year. Many key myths among the Coast Salish tribes revolve around the moon and sky, and Shaun incorporates and retells these stories in his work. This October preview will include new prints, a giclee on canvas, and a new series of gray whale fins rendered in steel and cedar.

Courtney Lipson: Look Closely

This September we urge you to focus your eyes and to look closely at the work of three artists who create in the minute, the detailed and the delicate. Nikki McClure (Non-Indigenous), Thomas Stream (Sun’aq Aleut) and Courtney Lipson (Non-Indigenous, Adopted Tlingit) each build up a large image from the smallest details, utilizing their very different media to create wholes from disparate parts.

Courtney Lipson (Non-Indigenous, Adopted Tlingit) creates fine art jewelry using tiny glass seed beads set into grout, creating “micro-mosaic” art that can be admired on the move. Inspired by patterns and coloration found in nature, Lipson has created series portraying feathers, wings, stones, striations, leaves, and more. In this exhibit she shows her widening array of silversmithing techniques, and works based around the natural beauty of precious stones.

Digital exhibition catalogue available

Thomas Stream: Look Closely

This September we urge you to focus your eyes and to look closely at the work of three artists who create in the minute, the detailed and the delicate. Nikki McClure (Non-Indigenous), Thomas Stream (Sun’aq Aleut) and Courtney Lipson (Non-Indigenous) each build up a large image from the smallest details, utilizing their very different media to create wholes from disparate parts. These three artists are also all inspired by the landscape, wildlife and natural rhythms that surround us here in the Pacific Northwest. Though they use varying media and focus on different aspects of nature, each is clearly deeply connected to this Northwest place.

Thomas Stream (Sun’aq Aleut) paints the denizens of the air with brilliant gouache and in incredible detail. As a contemporary Aleut artist, Stream combines the iconography of his heritage with modern painting. Stream is inspired by the bentwood hunting hats of his Aleut ancestors, especially the spiral and dot patterns painted along their length. Paying tribute to his heritage, he places a visor on each animal he paints, and incorporates the traditional patterns into the bodies of his creatures.

Art & Science Lecture by Raven Skyriver & Seattle Aquarium Veterinarian Dr. Lesanna Lahner

Special Event

Light Dinner and Lecture at Little London Plane

July 16th – 6:30pm

SOLD OUT!

Tickets include light dinner & lecture at Matt Dillon & Katherine Anderson’s elegant Little London Plane in Pioneer Square. Dessert reception at Stonington to follow.

Hib Sabin: Owls, Ravens and Other Birds

Hib Sabin (Non-Indigenous) returns to the gallery with a body of sculpture honoring the mystery and grace of owls, ravens and other birds. Working in juniper wood and pigments from his studio in Santa Fe, he incorporates world mythology and a deep reverence for shamanic practices into his own visual vocabulary. His recurring themes revolve around change, self and journeys: boats filled with figures who venture to the horizon; characters with smaller versions of themselves tucked carefully into exposed chest cavities; and figures caught mid-transformation, liminal and uncertain.

Digital exhibition catalogue available.

Barry Herem: In Steel

April means spring fever, and the desire to get outdoors. Why not bring your fine art with you? The steel sculptures of Barry Herem (Non-Indigenous) can take it! Free-standing, hung on a wall, or mounted as gates, Herem’s corten steel works can stand up to tough winters and dry summers, all while continuing to develop rich patinas. Herem creates steel sculptures that are inspired by the formline design of the Northwest Coast cultures, and by his extensive canoe travels around the Northwest. Using traditional shapes in innovative ways, his sculpture captures the tension and motion inherent in the best formline design.

Digital exhibition catalog available for this show.

Thinking of Raven

A Group Exploration

Stonington Gallery kicks off the 2014 exhibition season with Thinking of Raven, a thoughtful and creative exploration about the mythic character of Raven. Works in media as varied as glass, prints, jewelry, wood and metal sculpture will explore lesser-known sides of this character who is central in so many myths from far and wide along the Pacific Northwest Coast. Artists will consider questions such as: who is Raven in our modern world, and where do we see him (or her?) in popular culture? Is Raven—a trickster figure—a villain, a hero or somewhere in between? Raven stories are so central, so known, and so widespread in mythic tradition; what makes this character so popular and lasting?

Hib Sabin: Totems

Known for his contemplative sculptures of wise owls and clever ravens in juniper, Hib Sabin incorporates mythology from across the world in his new exhibition. Exploring the idea of the totemic figure as it pertains to a variety of indigenous cultures—including Northwest and Southwest America, and Australia—Sabin considers what totems mean to their makers and their owners.

Joan Tenenbaum: The Idea of Color

Joan Tenenbaum presents art-jewelry based on her years as an anthropologist in Alaska. Included in this body of work are works in colorful cloisonné, a brand new technique that Tenenbaum has been refining throughout the year. Landscapes, animal life and myths are rendered in her exquisite style in a variety of precious metals, gems and glass.
Digital exhibition catalogue available for this show.

David Franklin: New Works

Stonington features new works by carver David Franklin, who has produced a host of exquisite and inspired new wood and ceramic sculptures. Many works in this show were produced during the artist’s 2012 John Michael Kohler Artist Residency at the Kohler Factory in Wisconsin. This residency allowed Franklin to translate his unique style of carving into slip-cast vitreous china.
Though the Kohler factory is in the middle of the country, Franklin brought a little of the Northwest with him, creating an extensive series inspired by the sinuous tentacles of the Pacific Giant Octopus. Simultaneously friendly, alien and elegant, they are a unique exploration of a universal theme in Northwest Coast artwork.

Skull imagery is also prevalent in Franklin’s new body of work, but it is far from somber or sad. Intricate formline designs and elegant voids transform these memento mori into celebrations of life, culture and individualism. The human skull is the ultimate blank canvas: we are all made of the same stuff, and we are connected by ties deeper than geography, culture or language.
David Franklin has worked for and with some of the Northwest’s best contemporary artists, including Duane Pasco, Marvin Oliver, Preston Singletary, Shaun Peterson and Joe David. His works can be seen in public places including libraries, playgrounds and community centers around Washington.

Digital exhibition catalog available.

Thomas Stream: Worlds in a Wing

Thomas Stream celebrates summertime with a new collection of original gouache paintings featuring the bird-life of the Pacific Northwest and beyond. Stream’s paintings portray wildlife as we’ve never seen it: stylized creatures in brilliant flat-color hues, set against a white backdrop that illuminates their elegant curves and lines. Working with the tiniest of brushes to achieve the minute dots, spirals and hair-thin lines, Stream creates worlds within a single wing.

Digital exhibition catalog available.

Rick Bartow: Origin of Song II

Personal experiences, cultural engagement and transformation stories animate Rick Bartow’s wood sculpture, monotypes and paintings. Bartow’s work swings effortlessly from humorous and surprising to dark and challenging—and are often both simultaneously. Pulling from his tempestuous life experiences and the mythology of his Native heritage, Bartow’s work has one foot in our reality and the other in the swirling cauldron of the spirit world. He pours pure, instinctual gesture into each work, leaving fingerprints, smudges, strings of epoxy and cryptic words in his final works—evidence of his passage and process.

Mr. Bartow recently completed We Were Always Here, a large-scale sculpture commissioned by The Smithsonian/National Museum of the American Indian. Solo exhibitions include Dog’s Journey: A 20 Year Survey, at The A.D. Gallery, University of North Carolina, Pembroke, and Missoula Art Museum, (2011-2012); a mid-career exhibit My Eye, at the Hallie Ford Museum (2002-04).

Digital exhibition catalog available.

Facing Forward

A Group Mask Exhibition

Through the first months of 2013 the Stonington Gallery will pack up and move two doors down the block: from 119 S Jackson St to 125 S Jackson St. As our first exhibition in our new space, Facing Forward brings the focus on the human face. Masks change our features, hide our identities, protect our skin and transform ourselves. Helmets, hats and jewelry will also make appearances in this exhibition, as they are other ways of embellishing and adorning our faces. Our carvers, painters, weavers and jewelers will consider the idea of the human face and the way in which we adorn it, while celebrating the new face of Stonington.

Hib Sabin: The Journey

Transformation, vengeance, yearning, the search for safety and self, and the journey home: these are the themes that imbue Homer’s Odyssey. In his 2012 solo exhibition renowned carver Hib Sabin is inspired by this ancient epic and bases his newest body of work on its eternal lines. Carving in juniper wood, Sabin has skillfully captured the spirits of owls, birds of prey, transformed creatures and humans for decades. He now focuses on the Odyssey to bring a new layer of myth to life.

Digital and print catalogues available.

A Generation Rises

A Group Exhibition

A generation is rising—can you hear it? It’s the sound of brushes and adzes scraping cedar, and the hum of computers and clicking of mice. A group of young artists are coming into their own—can you see it? It’s metal and glass, wood and hide, paint and pixel and pencil.

Young indigenous artists are claiming their artistic birthright, and finding inspiration in the art forms of their ancestors. Born in the 1970s and 1980s, they are the vanguard of formline design, learning from their elders and family members, and confidently striding in new directions. As the first generation to grow up with computers at their fingertips, many of these artists are making use of digital design, printing and fabrication.

Stonington Gallery has been honored to watch the work of this burgeoning generation evolve. Helping to guide and support the careers of these artists continues to be a duty that we happily take on, and includes many surprises along the way.

Alaska: Far Away, Up Close

Stonington proudly presents new art from across Alaska in our annual focus on the region. Featured are works by Larry Ahvakana (Inupiaq), Kathleen Carlo (Athabascan), Perry Eaton (Alutiiq), Allie High (Tsimshian/Haida/Aleut), John Hoover (Aleut), Anna Hoover (Aleut), Susie Silook (Siberian Yupik, Inupiaq), Preston Singletary (Tlingit), Dawn Wallace (Aleut) and whalebone and ivory carvers from the Bering Sea coastal villages and islands. Included for the first time are works by Siberian artists whose homeland and culture are separated from Alaska by a narrow stretch of water.

Barry Herem: Beyond Beyond

Solo Exhibition

Veteran artist Barry Herem returns with a new body of work in metal, glass and wood. His formline experiments in mixed media continue to evolve in dramatic new directions. Herem’s vibrant, elegant work is made possible by fifty years of artistic experience.

Red & Black

A Group Exhibition on the Power of Color

The deep power of black and the cleansing peace of red are dominant colors in Northwest Coast artwork. Red and black are utilized by tribal artists up and down the Northwest Coast, both in secret ceremony and in the most modern of designs. Black pigment—the background to most formline painting—was traditionally derived from grinding black iron oxide, or from charring animal bones. Red pigment—used for the inner details of figures—came from hematite, vermillion or red lead. These pigments were then mixed with salmon egg oil to produce a durable paint that found its way onto wood, stone and metal objects.

Stonington presents a selection of works by artists who pay homage to these graphic, bold colors and the power they invoke.

Raven Skyriver: Abyss

Raven Skyriver, a member of the Tlingit tribe, returns for his second solo exhibition with a new collection of his signature blown glass creatures. The result of years working under glass maestros William Morris and Lino Tagliapietra, Skyriver’s intense coloration and graceful lines prove his hot-sculpting aptitude and passion for the Northwest’s environment.

Hib Sabin: The Stuff Dreams Are Made Of

Hib Sabin’s characters are at once the mythic guardians and protagonists of our dreams. Sabin’s spirit animals embody the essence of winter, and his new works bring the year to a close entrenched in spirit and vitality.

Joan Tenenbaum: A Sense of Place, The Ways We Connect to Our Earth

In her 2011 solo exhibition, Joan Tenenbaum will explore the ways in which traditional peoples have rooted themselves within their landscape in order to embrace life. Her work this year will again derive from her ever-deepening understanding of the Alaska Native communities where she lived and continues to visit.

With her usual meticulous craftsmanship and attention to fine detail, Tenenbaum has created exquisite wearable jewelry expressing such themes as the seasonal subsistence cycle in her Alaskan family’s community, and how tradition and beliefs tie the community to their landscape. She explores how traditional travel narratives embody a mental topographic map and recount each stopping place along a well-traveled route. And she honors the salmon, who give their life to everything in their landscape.

Clarissa Rizal: A Language of Tlingit Robes

Clarissa Rizal debuts paintings and collages in her first solo exhibit at Stonington. An accomplished Tlingit weaver and painter, Rizal incorporates the ancient formline designs of her culture into her fully contemporary art. The paintings and collage in “A Language of Tlingit Robes” explore the theme of Tlingit robes in vibrant cubist style.

Alaska

A Group Exhibition

The Alutiiq, Aleut, Tlingit, Athabaskan, Inupiaq and Yupik tribes of Alaska offer some of the most profound contemporary art in the nation. Some native artists draw inspiration from connections with their ancestors, while others cultivate a new style all their own. Stonington continues its focus on the Alaska arts scene by presenting new works in wide-ranging media from all over Alaska’s wild artistic frontier.

Courtney Lipson: Vision

The ability to see, to feel and dream, to think, to project—all may be described by a single word in the English language: vision. Lipson’s June exhibit of micro-mosaic beadwork jewelry stems from a creative maelstrom of ongoing projects—beading a mural, learning Chilkat weaving, designing Tlingit beadwork—and reflects her many-faceted ideas, skills and vision.

Drums and Rattles: Sounding the Northwest’s Ancient Tradition

A Group Exhibition

Imagine a time on the Pacific Northwest Coast preceding all man-made sounds—the thrush at dawn, robins at dusk, Pacific winds blowing through the giant fir and cedar trees, rain. Then add some of the earliest man-made sounds—the boom of drums, the shiver of rattles, the resonant sound of voices in song. Whether they are sounded loudly through the night or admired for their artistry, each instrument adds another wonderful sound to the continuously evolving soundtrack of the Pacific Northwest. It is a rich and magnificent history and will be honored by a host of Stonington’s finest artists.

Raven Skyriver: On the Brink

Solo Exhibition

Raven Skyriver’s masterful use of glass to capture the strange and beautiful essence of Puget Sound sea-life confirms that his artistic star is swiftly on the rise.

Skyriver grew up on the shores of Puget Sound and has cultivated a lifelong obsession with the aquatic life forms of the Northwest Coast. In “On the Brink,” he expands his repertoire to include land animals, such as Frog and Raven, creatures deeply iconic to the Tlingit and all tribes around the Northwest.

Marvin Oliver – Solo Exhibition

Marvin Oliver is the personification of the Northwest Coast art renaissance. As artist, curator and teacher he has shaped and influenced contemporary regional art from every direction. His large public art sculptures contribute to Seattle’s dynamic cultural experience, while his experimental nature and vast cultural knowledge are a catalyst for a body of work that literally breaks the mold. Blown glass Shaman Spirit Boards, a blown and fused glass Tlingit Style Warrior Helmet, Quinault Clam Gathering Baskets woven from molten strips of glass, and an 8 foot bronze Orca dorsal fin are each included in the body of work Oliver has created for his November Solo Exhibition at the Stonington Gallery. Oliver has led the way towards integrating new media with the protocols of the ancient arts of the Northwest Coast, and has done so with a master’s eye for authenticity, beauty and spirit. We look forward to sharing this exhibition with you. Exhibit tours with gallery staff may be arranged with one day’s notice.

Joe David: Found Objects

Nuu-chah-nulth artist, Joe David, reminds us of an amazing aspect of Northwest Coast art and culture: its on-going ability to adapt to change and to incorporate the modern with the ancient— one of the most telling signs of a resilient, ever-evolving, living culture. In his current exhibit, Found Objects, Joe David transforms the discarded and forgotten into art; a solution that resonates deeply with his ancestral and personal narrative. David’s pieces honor his people’s history, while uniquely synthesizing his own artistic self-expression.

Perry Eaton: Sugpiaq/Alutiiq Masks

Perry Eaton (Alutiiq) carves traditionally based Sugpiaq/Alutiiq masks deeply rooted in the rich culture of Kodiak, Alaska. Eaton’s emotive masks are patterned after the ancient forms of the Alutiiq, who believed that each mask possessed its own spirit.

“Having been an artist all my life, working in several mediums, but most notably black and white photography and wood sculpture, I find myself total absorbed in the expression of my Alaska Native identity. I carve traditionally based Sugpiaq Alutiiq masks. Their form and shape are deeply rooted in the rich material culture of Kodiak Island and for me, they are a celebration of belonging, producing a deep sense of pride in being Sugpiaq. The masks have proven to be a means and method of transformation and as an artist they give me license to move and change time, place, being and even worlds.

I take great inspiration from everyday life and the rich mix of emotions that I have experienced throughout my lifetime. Simple things like getting along, self-perception, gender relationships and nature’s cycles are all subjects I explore. In addition, Sugpiaq legends, beliefs and stories serve as a never-ending inspiration for work.”

Alano Edzerza: New Works

Tahltan artist Alano Edzerza broke onto the Northwest Coast art scene in a whirlwind of energetic, modern design. Each new body of work from this dynamic young artist is a deeply personal exploration of the mythic structure that permeates Tahltan culture. Utilizing such modern materials as glass, steel and giclée prints, and using digital design to aid his vision, Edzerza has brought an electrifying contemporary sensibility to the ancient art forms of his people.

Isabel Rorick: Remembering the Sacredness of the Four Seasons

Stonington welcomes the traditional Haida basketry of Isabel Rorick with her solo show: Remembering the Sacredness of the Four Seasons. Rorick gathers natural materials on Haida Gwaii in the traditional method and painstakingly weaves them into gathering baskets. This show highlights four particular baskets, each of which honors the spirit of a season. These subtly patterned pieces remind us to reflect on and celebrate the natural bounty surrounding and providing for us.

Courtney Lipson: Micro-Mosaic Jewelry II

Courtney Lipson’s jewelry gets more exciting with every new exhibit. In this new collection, Lipson continues her process of replicating the unique patterns found in nature. A focus of this new body of work will be rings in celebration of Jensen’s and Lipson’s August wedding. These new pieces will be in Lipson’s signature micro-mosaic glass seed bead and grout designs; expect new earrings, necklaces and her intricate and beautiful cuffs as well.

John Wilson: Haisla Masks

John Wilson’s art is a studied contrast to the bold expressionism of Bartow. Wilson, a Haisla artist is currently studying with Dempsey Bob, Stan Bevan, and Ken McNeil at the Freda Diesing School of Northwest Coast Art in British Columbia, is finding his connection to culture and community through elarning and mastering traditional Haisla art. Wilson is most inclined to carve masks and has the rare ability to bring forth soul and personality in his carvings. Technically the work is accomplished, however what elevates traditional Northwest Coast masks to art is the artist’s ability to imbue a life-like essence in them. A mask is a subsitute or stand-in for a mythic or real person and should evoke a sense of life and spirit even when not being worn or danced. Wilson’s traditionally executed art resonates with life and the human spirit.

Eyes on the Northwest Coast

The Stonington Gallery will be featuring small collections of work by Gallery artists during the month of February. This exhibit will allow the gallery to showcase the finest art being created along the Pacific Northwest Coast. Featured artists will include Rick Bartow, Robert Davidson, Alano Edzerza, Dale Faulstich, David Franklin, Jason Gobin, Barry Herem, Scott Jensen, Courtney Lipson, Adam McIsaac, Duane Pasco, Shaun Peterson, Susan Point, Hib Sabin, Raven Skyriver, Joan Tenenbaum, and Andrea Wilbur-Sigo.

Joan Tenenbaum: 50 Years of Jewelry Making; The Depth and Breadth of a Fifty Year Passion

Come Celebrate in September with Stonington Gallery as we mark Joan Tenenbaum’s 50th anniversary of making jewelry. Joan will present a new body of work reprising all the themes that are dear to her heart. Her humble beginning work from 1959 and the early 1960’s will be juxtaposed with stunning new creations. From the debut of new wedding ring designs to abstract landscapes and cuff bracelets, from spiritual figurines to elegant necklaces and bold one-of-a-kind rings, those who have followed Joan’s work for the past several decades will find familiar themes treated in an entirely new manner.

Weaving Wisdom and Warmth: Contemporary Master Weavers of the Northwest Coast

This highly anticipated group exhibition will showcase Stonington Gallery’s extraordinary weavers including Nancy Burgess, Chloe French, Clarissa Rizal, Bill and Fran James, June Parker, Betty Pasco, Susan Pavel, Ruth Peterson, Karen Reed, Isabel Rorick, Mary Lou Slaughter, Malynn Wilbur Foster, and Jane Wiseman. Artwork inspired by weaving will also be included such as weaving and textile design micro-mosaic beadwork jewelry by Courtney Lipson, glass Salish baskets by Marvin Olver, etc. Weaving is a seminal art form within all the communities up and down this coastal region and this exhibition will honor this tradition with a breathtaking collection of the finest weaving from every corner of the Northwest Coast.

Robert Barratt: An Eye for Beauty

Robert Barratt (Non-Indigenous), in collaboration with fellow carver Todd Wells, has created an exhibit that explores the architectural and decorative elements of Northwest Coast art. The collection includes carved doors, feast dishes, rattles, and masks.

Barry Herem: New Works in Wood and Steel

The contributions by Barry Herem (Non-Indigenous) to contemporary Northwest Coast art are numerous. Herem first fell in love with Northwest Coast art as a young man doing surveying work in S.E. Alaska. Always fascinated by the Northwest Coast art and culture, Herem’s true love for the art form was cemented when he saw the famed carvings of the 19th century Tlingit master artist, Kadjis du axtc, in the Whale house in Klukwan, Alaska. From that time on, Herem devoted his life to Northwest Coast art. He is a leading scholar, writer, lecturer, and artist on the subject. His fluency in the language of formline is juxtaposed with his love and of and openness towards modern materials, establishing new possibilities for interpreting and expressing Northwest coast art. This show will include a selection of work in corten steel, carvings in cedar, acrylic paintings and serigraphs.

Young Artists: The Next Great Generation

This group exhibition will be an introduction to a larger exhibit scheduled at Stonington Gallery in 2010 that will focus on the younger artists whose energies have been fueled by the past 60 years of cultural renaissance. The dedication, talent and passion of these young artists have propelled them into the ranks of the next generation of great artists. Among artists included will be Alano Edzerza, David Franklin, Phil Gray, Adam McIsaac, Shaun Peterson, Andrea Wilbur-Sigo and John Wilson.

Maynard Johnny, Jr. – Featured Artist

We have had the pleasure of working with Maynard for over seven years. Our favorite memory of Maynard, and one we will treasure always, was from the day the Stonington Gallery opened our Awakenings exhibition, August 16th, 2005. We had spent nearly two years planning the exhibition. During that time we had made many trips to British Columbia and spent many evenings writing the exhibition catalogue Contemporary Coast Salish Art. We were immersed in all things Coast Salish for two years. It was wonderful.

However, the full impact of the cultural importance of the exhibit really did not hit home until Maynard Johnny, Jr. got up and spoke at the Opening Reception. We had an open mic available for anyone who wanted to share thoughts about the exhibit. There were so many wonderful, interesting things said that day. But what will always come to mind are the comments Maynard made and how heartfelt they were and how difficult it was for him to speak to a crowd. Maynard expressed how much the show meant to him as a Coast Salish man and artist. He spoke of the sense of great personal relief and joy that his cultural heritage was finally being celebrated and how satisfying it felt that people wanted to learn and understand the cultures that were here long before the west was settled. It felt like so much bottled sadness had been released, and in its place a sense of hope.

Hib Sabin and Phil Charette: Masks and Other Transformations

A Two Person Exhibit

David Franklin: Solo Exhibition I

This Coast Salish Place

A Group Exhibition

This Coast Salish Place is the Stonington Gallery’s third exhibition to focus exclusively on the profoundly gratifying cultural renaissance taking place within our regional Coast Salish tribal communities. Coast Salish is a linguistic term and refers to the language historically spoken by most of the Puget Sound and Frasier River First Peoples. The passion, time, commitment, and education that have propelled this cultural renaissance are exemplified in This Coast Salish Place.

Leading artists include: Jason Gobin, (Tulalip), Maynard Johnny, Jr. (Penelakut), Marvin Oliver (Quinault), Betty Pasco (Suquamish), Duane Pasco (Non-Indigenous), Shaun Peterson (Puyallup/Tulalip), Susan Point (Musqueam), Andy and Ruth Peterson (Skokomish), Andrea Wilbur-Sigo (Skokomish/Squaxin), Malynn Wilbur Foster (Skokomish), Mike Foster (Non-Indigenous), Bunny Wilbur-Bluebird (Skokomish/Squaxin), Susan Pavel (Non-Indigenous), and Dale Faulstich (Non-Indigenous).

Joan Tenenbaum: ALASKA – Connecting Culture with Landscape

Joan Tenenbaum explores traditional Yup’ik and Inupiaq style Ulu Knife Jewelry through her as always impeccably created jewelry. Brooches, pendants, earrings and an incredible cuff bracelet convey Joan’s close associations with and understanding of the Alaskan landscapes and Eskimo cultures.

Courtney Lipson: ALASKA – Ravenstail Jewelry

Courtney Lipson expands her body of micro-mosaic glass seed bead jewelry to include the traditional Northwest Coast geometric Ravenstail band and diamond weaving patterns, using black, white and gold beads.

Masks & Panels

A Group Exhibition

This group exhibit will illustrate the sculptural and dramatic three dimensional aspects of masks, as well as the elegance and grace of two dimensional low relief carvings and paintings. Both are emblematic of Northwest Coast traditions. It will also be a wonderful way to share the importance of the mythological characters and legends of the coast.

RAIN

A Group Celebration

The Stonington staff are as confident as ever that we live in the most spectacular place on earth – the rich, verdant and beautiful Pacific Northwest. We also acknowledge that without the very thing that many dread come the fall and winter months every year — that is RAIN — our region simply would not be as lush and wonderful as it is. From the Cascades on the mainland to the rain forests on the Olympic Peninsula, and from the Canadian Cascades out to the Pacific coast — our region nestled in the midst of this vibrant valley witnesses a weather system that has fed and nurtured the development of rich cultures along our coastline for centuries. Provided with an abundance of food from the land and sea as well as materials for sea canoes, shelter, tools and clothing made from old growth forests, Native cultures in our region were able to take the time to develop a complicated and intricate art form that has lasted through the millennia. Therefore, we, along with our Gallery artists from our jewelers to our painters to our carvers, pay tribute to Rain – for without it, all of the beauty that surrounds us now may never have come to be just quite the way that it did.

Alano Edzerza: Northwest Coast Formline Art in Glass, Pencil, and Acrylic

For the first time, Stonington Gallery is proud to host a solo exhibition of new two- and three-dimensional works by young up-and-coming artist Alano Edzerza. Edzerza belongs to the Raven clan of the Tahltan Nation located in northwest British Columbia east of the Tlingit and north of the Tsimshian. Edzerza’s glass sculpture and two-dimensional works have widespread appeal for their modern interpretations of the traditional principles of Northwest Coast formline art. Edzerza clearly understands and internalizes the traditional and formal aspects of Northwest Coast art, while successfully marrying them with modern aesthetics, as exemplified in his etched glass boxes and panels. The formline designs that traditionally graced the iconic steam bent boxes or wooden wall panels are now etched into glass, while the lids and bases remain old growth cedar. The outcome is exciting contemporary work merged with the foundations set by the great art of the old masters. His works can be found as the centerpiece of either the most chic, modern home or one with the most traditional of Northwest Coast art collections.

Thomas Stream: An Aleutian Presence

Aleut painter Thomas Stream’s newest paintings will be featured, including much-larger-than-life portraits of Alaskan wildlife cultural icons Raven and Stellar’s Jay each painted in a 5’ x 7’ format.

Courtney Lipson: Patterns

Inspired by the traditions of European mosaics and Native American beadwork, PATTERNS will showcase Courtney Lipson’s micro-mosaic jewelry, exquisitely composed from glass seed beads set into hand crafted silver and gold backings. Lipson’s new jewelry collection will focus on the rhythm of patterns found in nature as well as hand crafted objects such as baskets and blankets. In conjunction with Joe Feddersen’s new print series, PATTERNS will be both an intense and delicately woven experience.

Joe David: Personal Moments

Joe David’s PERSONAL MOMENTS is a reflection on the people and experiences that have influenced him personally and artistically. He’s been so inspired behind this exhibit, he’s “barely taken time to eat or sleep.” A fascinating side of Joe David and his vision of humanity is revealed through these human faces.

Winter Celebration

A Group Exhibition

WINTER CELEBRATION is a group exhibition celebrating the rituals and traditions surrounding the solstice season.

Jean Ferrier – A Solo Exhibition

JEAN FERRIER’S exhibition features handmade books and mixed media paintings on paper and wood. Ferrier’s handmade books are exquisitely detailed with hand painted illustrations and text in calligraphy. Her books honor the important tradition of storytelling among the northwest coast tribes and provide an excellent format for her nuanced figurative paintings.

Classically Northern

Celebrating Northern Formline

CLASSICALLY NORTHERN celebrates the complex design system coined “formline” by noted artist and scholar Bill Holm. Participating artists include Robert Davidson, Phil Gray, Allie High, Scott Jensen, Mark Preston, Wayne Price, Isabel Rorick, Tim Runyan, Jay Simeon and April White.

Courtney Lipson: “…TO SEE A WORLD IN A GRAIN OF SAND…”

…TO SEE A WORLD IN A GRAIN OF SAND…takes a close look at the world, recreating details such as butterfly wings, flowers, and feathers in Courtney Lipson’s unique mosaic style.

Winter Solstice Exhibition

A Celebration of the Season

Engraved in Tradition

A Jewelry Exhibit

Jewelry making is an acient tradition of the Pacific Northwest Coast. Tribes from the Columbia River north to Alaska engraved and carved elaborate jewelry. Most well known are the engraved silver braceletes of the Haida and Tlingit tribes. The Stonington Gallery has strived to nurture this tradition by focusing on contemporary jewelers whose work contributes to this rich and long tradition. This November’s group show, “Engraved in Tradition”, will feature the Stonington’s jewelry artists and highlight work by Joe David, a Nuu-chah-nulth artist renowned for his carving, painting, and jewelry. David’s jewelry will allude to the important use of small amulets or jewelry as powerful and important tools to aid tribal Shamans in their healing work.

Other participating artists include: Steve Brown (Curator Emeritus, Seattle Art Museum’s Northwest Coast Native Art), Joan Tenenbaum, Jay Simeon (Haida), Jerry Hill, George Estrella, Lois Bertolino, Bill Bedard (Haida), Courtney Lipson, Owen and Janet Walker, and Jean Regal Westgate.

Courtney Lipson: Micro-Mosaic Jewelry I

Courtney Lipson’s glass beaded jewelry honors the tradition of mosaics on a micro scale.

Totem: Icon of the Pacific Northwest

Today’s contemporary totem poles serve as a tribute and remembrance to the native cultures and their artists who conceived of and so skillfully executed these monuments. With old growth cedar fast becoming a memory of the past this will be a rare opportunity of a lifetime to see so many contemporary masterpieces in one exhibition.