July

07/01/2019 - 07/28/2019

Hib Sabin: The Still Point of the Turning World

Exhibition opens July 11th, 6-8pm. Exhibit runs July 3-28th.
Special Event: Lecture and Book Signing Wednesday July 10th, 6:30pm.

In July we present a new body of work by Santa Fe sculptor Hib Sabin, in conjunction with the release of his book “The Other Side of Silence, The Far Side of Time”. This 128-page hardcover book is the first major collection of Sabin’s work, and we are proud to host an exclusive book-signing with Hib Sabin on July 10th. Join us on the 10th for a sneak peek at his new exhibit and for the signing, or on the 11th for the First Thursday (technically Second Thursday, due to the July 4th holiday) opening reception.

Ongoing

06/14/2018 - 09/30/2019

SeaTac Airport Rotating Exhibition

Stonington Gallery is bringing the finest contemporary Northwest Coast art to visitors from around the world at SeaTac airport! This ongoing exhibition in partnership with the Port of Seattle is a rotating spotlight on the diverse art styles, media and viewpoints of contemporary artists of the Coast. We are honored to share works with locals and visitors by regional luminaries including Preston Singletary (Tlingit), Dan Friday (Lummi), Raven Skyriver (Tlingit), Robert Davidson (Haida), Thomas Stream (Sun’aq Aleut), Lillian Pitt (Wasco/Warm Springs/Yakama), Shaun Peterson-Qwalsius (Puyallup) and more.

All works in the exhibition are for sale through Stonington Gallery. Please call 206.405.4040 or email art@stoningtongallery.com with inquiries.

The exhibit is located at the Gina Marie Lindsay Arrivals Hall at the South end of the Main Terminal, on the baggage claim level. In layman’s terms, it is the large atrium with the suspended airplanes in the waiting area of the Arrivals section.

August

08/01/2019 - 08/31/2019

Jason Gobin & Trevor Hunt

In August we present exhibitions by Jason Gobin (Tulalip Nation) and Trevor Hunt (Kwagiulth Nation), two mid-career artists creating contemporary versions of traditional objects such as masks, paddles, and panels.

Gobin– known as Hik Stubs in the Tulalip dialect–focuses on the revitalization of Salish artforms through the use of multiple media, including painting, carving, weaving, and digital. Gobin is also a commercial fisherman, and the caretaker and one of the skippers for the tribal sea-going canoes at Tulalip.

Hunt hails from farther up the Northwest Coast, and is part of the famed Hunt family of Fort Rupert on Vancouver Island in British Columbia. He comes from a long line of hereditary carvers and artists that have been instrumental in the survival of the Kwagiulth art form on the Northwest Coast. His father is Stan Hunt, his grandfather was Henry Hunt and his great-grandfather was Mungo Martin.

September

09/05/2019 - 09/29/2019

Salish Brilliance: Dan Friday & Maynard Johnny, Jr.

In September we welcome two Coast Salish artists to the gallery who honor their roots with vibrant, brilliant color and vivacity.

Dan Friday (Lummi Nation) has been working in glass for decades, and makes sculpture informed by the anthropological and historic objects made and used by his ancestors. His “woven” mosaic glass baskets are tributes to the weavers of the Lummi, while his small glass totemic sculptures are a testament to the Lummi totem carvers, including his great-grandfather, Joseph Hillaire. Friday recently won the Audience Choice award at the Bellevue Arts Museum for his mixed-media installation of glass salmon swimming across the walls and up into a woven cedarbark reef net, surrounded by sxwole (reefnet anchors) in blown glass.

Maynard Johnny, Jr. (Penelakut/Kwakwaka’wakw) uses bright color and bold design to interpret his dual Salish and Kwakwaka’wakw heritage through his prints, paddles and paintings. He is first and foremost a painter; his designs exhibit clarity, confidence, motion and grace. The ultimate success and transcendence of both Northern and Salish art hinges on an understanding and clarity of line, and this is something he has proven time and time again.

October

10/03/2019 - 10/27/2019

Raven Skyriver & Preston Singletary

Our featured October artists translate and honor their Indigenous heritage through the medium of glass. Both from the Tlingit Nation, they approach their work from different angles: one through the lens of ecosystem and animal-life; the other through Northwest Coast mythology and traditional objects.Raven Skyriver (Tlingit) presents an exhibition of blown and hot-sculpted glass marine animals from oceans and river systems that are threatened by pollution, ocean acidification, and over-fishing. Skyriver uses the techniques he has learned from blowing with William Morris and other glass luminaries to render lifelike creatures, giving us eye-to-eye encounters with deep sea creatures we don’t often see.He is joined by fellow Washington glassblower Preston Singletary (Tlingit), who presents works in glass, bronze and on paper. Singletary uses intricate Northwest Coast formline design to render shamanic implements, woven hats and baskets, and legendary characters in glass. Known for his world-spanning collaborations with other indigenous artists, Singletary plans to debut the first-ever collaboration with Skyriver in this exhibition.

November

11/07/2019 - 11/30/2019

Thomas Stream: Winter

In November 2019 we present a solo exhibition by contemporary Aleut painter Thomas Stream (Sun’aq Aleut) who presents a new body of work focusing on birds in their winter habitats. Stream’s vivacious animals wear traditional Aleutian hunting hats. In Stream’s iconography these visors celebrate the individual spirit of each animal, while connecting them to the Aleut people, who share the same environment.Aleut artist Thomas Stream was born in Kodiak, AK in 1941. He received his Bachelor of Fine Arts from Cornish School of Allied Arts in 1976. He began the Aleutian Painting series in 1996, an exploration of natural forms, vivid colors and delicate patterns. This series is encapsulated by the phrase, “We are still here,” a simple—yet poignant and powerful—statement that sums up Stream’s outlook on his heritage and his artwork.