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Stone Basket #3Blown, Carved, and Acid Etched Glass, Cedar Bark
- 7.38"h
- 7.75"w
- 7.75"d
SOLD -
Pine Cone BasketBlown, Carved, and Acid Etched Glass, Cedar Bark
- 5"h
- 5.5"w
- 5.5"d
SOLD -
Water UrnBlown and Carved Glass, Woven Cedar
- 6.5"h
- 4.75"w
- 4.75"d
SOLD -
Cedar Sky BasketBlown, Carved, and Acid Etched Glass, Cedar Bark
- 8.25"h
- 16.5"w
- 16"d
SOLD -
Song of the MoonBlown and Sandblasted Glass, Red Cedar Bark, Copper Wire
- 18"h
- 7.5"w
- 3.5"d
SOLD -
Rain Catching BasketSOLD
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Mini Twined Wire BasketSOLD
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Cedar Lattice BasketSOLD
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River BasketSOLD
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Ocean UrnSOLD
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Ocean Cedar BasketSOLD
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Ocean BowlSOLD
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Blue Ice BasketSOLD
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Blood Quantum Basket 2Blown Glass
- 6.13"h
- 7.5"w
- 7.5"d
SOLD -
Blood Quantum Basket 1Blown Glass
- 7.63"h
- 6.5"w
- 6"d
SOLD -
Cell BasketBlown Glass
- 6"h
- 6.5"w
- 5.5"d
SOLD -
Ocean BasketBlown, Carved, and Sand-Etched Glass
- 7.75"h
- 6"w
- 6"d
SOLD -
Water Serving BasketBlown, Carved, and Sand-Etched Glass, Methal
- 2.75"h
- 6"w
- 6"d
SOLD
Raya Friday is a member of the Lummi nation whose tribal lands are situated on the edge of the Salish Sea near Bellingham, Washington. She was born and raised in Seattle where, from an early age, she focused most of her time and energy in the arts. Friday was introduced to glass by an elementary school ceramic teacher at the young age of eleven but did not start actively pursuing the craft for another six years. By 2003 she had spent 7 years working in and around the Seattle area for both production shops and independent artists, at which time she moved to New York to earn a degree in glass sculpture at Alfred University. While still in school Raya started working at the renowned Corning Museum of Glass, first as a technician and later as an instructor in the education department until 2008.
Raya returned to the Pacific Northwest to be close to the land and community she loved. In 2019, after continuing to work in the glass industry and while pursuing an independent artistic career, she decided to return to school to pursue a humanities degree in Indigenous Studies in the Native Pathways Program at Evergreen State College. The intention of Friday’s work is to explore how the unique and haunting vocabulary of glass can amplify and encapsulate both the historical and contemporary issues of her community.