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Shaman MaskWhite Spruce, Hickory, Embroidery Thread, Domestic Duck Feathers
- 13.5"h
- 15"w
- 6"d
SOLD -
Dreaming MoonWhite Spruce, Artist Oils, Domestic Duck Feathers, Artificial Sinew
- 22"h
- 22"w
- 4"d
SOLD -
Never Still MoonWhite Spruce, Artist Oils, Domestic Duck Feathers, Artificial Sinew
- 23"h
- 25"w
- 3"d
SOLD -
Raven MaskWhite Spruce, Hickory, Artist Oils, Human Hair, Domestic Goose Feathers, Beads, Faux Sinew, Thread
- 13"h
- 20"w
- 5.5"d
SOLD -
Yellow Singer MaskYellow Cedar, Hickory, Glass Beads, Domestic Turkey Feathers, Artificial Sinew
- 26"h
- 4.5"w
- 23"d
SOLD -
The Skeptic MaskBirch, Bamboo, Hickory, Domestic Duck Feathers, Cotton Embroidery Thread
- 18"h
- 4"w
- 20"d
SOLD -
Kodiak MoonWhite Spruce, Artist Oils, Domestic Duck Feathers, Artificial Sinew
- 19"h
- 21.75"w
- 3"d
SOLD
Artist Statement Having been an artist all my life, working in several mediums, but most notably black and white photography and wood sculpture, I find myself total absorbed in the expression of my Alaska Native identity. I carve traditionally based Sugpiaq Alutiiq masks. Their form and shape are deeply rooted in the rich material culture of Kodiak Island and for me, they are a celebration of belonging, producing a deep sense of pride in being Sugpiaq. The masks have proven to be a means and method of transformation and as an artist they give me license to move and change time, place, being and even worlds. I take great inspiration from everyday life and the rich mix of emotions that I have experienced throughout my lifetime. Simple things like getting along, self-perception, gender relationships and nature’s cycles are all subjects I explore. In addition, Sugpiaq legends, beliefs and stories serve as a never-ending inspiration for work. I produce my work from a variety of woods and materials but my preference in wood is white spruce. The best wood comes from the stump where the grain flares and produces a rich and unpredictable pattern moving in all directions. My tools are straightforward: gouges, crooked knives, sandpaper, oil paints and brushes and like my ancestors, I use the best available. The average mask might take several weeks and on occasion, months to produce.